Showing posts tagged art

archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info
archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.
Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.
[via Colossal and Demilked]
Zoom Info

archiemcphee:

These beautiful moths and butterflies look like they’re ready to flutter up and away, but they won’t be doing so because they’re wonderful textile sculptures painstakingly created by North Carolina-based artist Yumi Okita. She sews, embroiders and stitches all sorts of multi-colored fabrics to create these oversized insects, which measure nearly a foot wide. She also adds painted details along with feathers and artificial fur. With great care Okita has achieved an awesome balance between astonishing realism and fanciful invention.

Click here to view more of Yumi Okita’s gorgeous textile insect sculptures.

[via Colossal and Demilked]

ancientart:

"They take first a crooked piece of iron, and with it draw out the brain through the nostrils, thus getting rid of a portion, while the skull is cleared of the rest by rinsing with drugs; next they make a cut along the flank with a sharp Ethiopian stone, and take out the whole contents of the abdomen, which they then cleanse, washing it thoroughly with palm wine, and again frequently with an infusion of pounded aromatics…" -Greek historian Herodotus describes the process of mummification in Egypt (trans. Rawlinson).
Shown here is an extraordinarily well preserved Egyptian mummy at the Louvre. This man lived during the Ptolemaic Period, and his name can be read as either Nenu or Pachery. The body has been sophisticatedly wrapped in strips of linen, and the mummy is covered with a cartonnage. Included here is a mask, an apron across the legs, and a collar over the chest.
Rigault Patricia from the Louvre provides the below description. This is only a section of the full write-up, you can read the rest here if you wish.

A body preserved for eternity
Not everyone in ancient Egypt had access to the funerary practices that ensured eternal life, and many people had to settle for a simple pit in the desert and a few modest offerings. For the more fortunate, preserving body provided an additional guarantee of survival in the afterlife. It offered a new support for the various elements of the living being that were dispersed at the time of death. Although the earliest mummies were little more than bodies wrapped in linen strips dipped in resin, more sophisticated methods soon developed; mummification procedures were highly perfected by the New Kingdom.
Although the number of mummies increased from this period on, the quality of the work tended to decrease. Nevertheless, mummies from the Greco-Roman period are often remarkable for the highly subtle designs formed by the interwoven linen strips. Depending on the period, a mummy could be covered a clothing, a net of beads, a mask, or a decorated wooden plank or cartonnage. During the Ptolemaic Period, various cartonnage elements were arranged on the mummy before it was placed in the coffin. 

Courtesy of & currently at the Louvre, France, N 2627. Photos by: Massimo Palmieri (1), Yann Caradec (2 & 3, cropped), and Oleg Ы (4).
Zoom Info
ancientart:

"They take first a crooked piece of iron, and with it draw out the brain through the nostrils, thus getting rid of a portion, while the skull is cleared of the rest by rinsing with drugs; next they make a cut along the flank with a sharp Ethiopian stone, and take out the whole contents of the abdomen, which they then cleanse, washing it thoroughly with palm wine, and again frequently with an infusion of pounded aromatics…" -Greek historian Herodotus describes the process of mummification in Egypt (trans. Rawlinson).
Shown here is an extraordinarily well preserved Egyptian mummy at the Louvre. This man lived during the Ptolemaic Period, and his name can be read as either Nenu or Pachery. The body has been sophisticatedly wrapped in strips of linen, and the mummy is covered with a cartonnage. Included here is a mask, an apron across the legs, and a collar over the chest.
Rigault Patricia from the Louvre provides the below description. This is only a section of the full write-up, you can read the rest here if you wish.

A body preserved for eternity
Not everyone in ancient Egypt had access to the funerary practices that ensured eternal life, and many people had to settle for a simple pit in the desert and a few modest offerings. For the more fortunate, preserving body provided an additional guarantee of survival in the afterlife. It offered a new support for the various elements of the living being that were dispersed at the time of death. Although the earliest mummies were little more than bodies wrapped in linen strips dipped in resin, more sophisticated methods soon developed; mummification procedures were highly perfected by the New Kingdom.
Although the number of mummies increased from this period on, the quality of the work tended to decrease. Nevertheless, mummies from the Greco-Roman period are often remarkable for the highly subtle designs formed by the interwoven linen strips. Depending on the period, a mummy could be covered a clothing, a net of beads, a mask, or a decorated wooden plank or cartonnage. During the Ptolemaic Period, various cartonnage elements were arranged on the mummy before it was placed in the coffin. 

Courtesy of & currently at the Louvre, France, N 2627. Photos by: Massimo Palmieri (1), Yann Caradec (2 & 3, cropped), and Oleg Ы (4).
Zoom Info
ancientart:

"They take first a crooked piece of iron, and with it draw out the brain through the nostrils, thus getting rid of a portion, while the skull is cleared of the rest by rinsing with drugs; next they make a cut along the flank with a sharp Ethiopian stone, and take out the whole contents of the abdomen, which they then cleanse, washing it thoroughly with palm wine, and again frequently with an infusion of pounded aromatics…" -Greek historian Herodotus describes the process of mummification in Egypt (trans. Rawlinson).
Shown here is an extraordinarily well preserved Egyptian mummy at the Louvre. This man lived during the Ptolemaic Period, and his name can be read as either Nenu or Pachery. The body has been sophisticatedly wrapped in strips of linen, and the mummy is covered with a cartonnage. Included here is a mask, an apron across the legs, and a collar over the chest.
Rigault Patricia from the Louvre provides the below description. This is only a section of the full write-up, you can read the rest here if you wish.

A body preserved for eternity
Not everyone in ancient Egypt had access to the funerary practices that ensured eternal life, and many people had to settle for a simple pit in the desert and a few modest offerings. For the more fortunate, preserving body provided an additional guarantee of survival in the afterlife. It offered a new support for the various elements of the living being that were dispersed at the time of death. Although the earliest mummies were little more than bodies wrapped in linen strips dipped in resin, more sophisticated methods soon developed; mummification procedures were highly perfected by the New Kingdom.
Although the number of mummies increased from this period on, the quality of the work tended to decrease. Nevertheless, mummies from the Greco-Roman period are often remarkable for the highly subtle designs formed by the interwoven linen strips. Depending on the period, a mummy could be covered a clothing, a net of beads, a mask, or a decorated wooden plank or cartonnage. During the Ptolemaic Period, various cartonnage elements were arranged on the mummy before it was placed in the coffin. 

Courtesy of & currently at the Louvre, France, N 2627. Photos by: Massimo Palmieri (1), Yann Caradec (2 & 3, cropped), and Oleg Ы (4).
Zoom Info
ancientart:

"They take first a crooked piece of iron, and with it draw out the brain through the nostrils, thus getting rid of a portion, while the skull is cleared of the rest by rinsing with drugs; next they make a cut along the flank with a sharp Ethiopian stone, and take out the whole contents of the abdomen, which they then cleanse, washing it thoroughly with palm wine, and again frequently with an infusion of pounded aromatics…" -Greek historian Herodotus describes the process of mummification in Egypt (trans. Rawlinson).
Shown here is an extraordinarily well preserved Egyptian mummy at the Louvre. This man lived during the Ptolemaic Period, and his name can be read as either Nenu or Pachery. The body has been sophisticatedly wrapped in strips of linen, and the mummy is covered with a cartonnage. Included here is a mask, an apron across the legs, and a collar over the chest.
Rigault Patricia from the Louvre provides the below description. This is only a section of the full write-up, you can read the rest here if you wish.

A body preserved for eternity
Not everyone in ancient Egypt had access to the funerary practices that ensured eternal life, and many people had to settle for a simple pit in the desert and a few modest offerings. For the more fortunate, preserving body provided an additional guarantee of survival in the afterlife. It offered a new support for the various elements of the living being that were dispersed at the time of death. Although the earliest mummies were little more than bodies wrapped in linen strips dipped in resin, more sophisticated methods soon developed; mummification procedures were highly perfected by the New Kingdom.
Although the number of mummies increased from this period on, the quality of the work tended to decrease. Nevertheless, mummies from the Greco-Roman period are often remarkable for the highly subtle designs formed by the interwoven linen strips. Depending on the period, a mummy could be covered a clothing, a net of beads, a mask, or a decorated wooden plank or cartonnage. During the Ptolemaic Period, various cartonnage elements were arranged on the mummy before it was placed in the coffin. 

Courtesy of & currently at the Louvre, France, N 2627. Photos by: Massimo Palmieri (1), Yann Caradec (2 & 3, cropped), and Oleg Ы (4).
Zoom Info

ancientart:

"They take first a crooked piece of iron, and with it draw out the brain through the nostrils, thus getting rid of a portion, while the skull is cleared of the rest by rinsing with drugs; next they make a cut along the flank with a sharp Ethiopian stone, and take out the whole contents of the abdomen, which they then cleanse, washing it thoroughly with palm wine, and again frequently with an infusion of pounded aromatics…" -Greek historian Herodotus describes the process of mummification in Egypt (trans. Rawlinson).

Shown here is an extraordinarily well preserved Egyptian mummy at the Louvre. This man lived during the Ptolemaic Period, and his name can be read as either Nenu or Pachery. The body has been sophisticatedly wrapped in strips of linen, and the mummy is covered with a cartonnage. Included here is a mask, an apron across the legs, and a collar over the chest.

Rigault Patricia from the Louvre provides the below description. This is only a section of the full write-up, you can read the rest here if you wish.

A body preserved for eternity

Not everyone in ancient Egypt had access to the funerary practices that ensured eternal life, and many people had to settle for a simple pit in the desert and a few modest offerings. For the more fortunate, preserving body provided an additional guarantee of survival in the afterlife. It offered a new support for the various elements of the living being that were dispersed at the time of death. Although the earliest mummies were little more than bodies wrapped in linen strips dipped in resin, more sophisticated methods soon developed; mummification procedures were highly perfected by the New Kingdom.

Although the number of mummies increased from this period on, the quality of the work tended to decrease. Nevertheless, mummies from the Greco-Roman period are often remarkable for the highly subtle designs formed by the interwoven linen strips. Depending on the period, a mummy could be covered a clothing, a net of beads, a mask, or a decorated wooden plank or cartonnage. During the Ptolemaic Period, various cartonnage elements were arranged on the mummy before it was placed in the coffin. 

Courtesy of & currently at the Louvre, France, N 2627. Photos by: Massimo Palmieri (1), Yann Caradec (2 & 3, cropped), and Oleg Ы (4).

sachinteng:

'Dysphoria' for 3rd Annual SUPERSONIC ELECTRONIC INVITATIONAL
My piece for the Supersonic Electronic Invitational!
It’ll be at Spoke Art, you can chech them out here
And you can check out the website for the show here
As well as the facebook here

sachinteng:

'Dysphoria' for 3rd Annual SUPERSONIC ELECTRONIC INVITATIONAL

My piece for the Supersonic Electronic Invitational!

It’ll be at Spoke Art, you can chech them out here

And you can check out the website for the show here

As well as the facebook here